Posts tagged photography
life:

Take notes, ladies: “‘Sandwich Girl’ who puts herself in midst of crowd of boys is considered a real crumb. Girls will not invite her to hen parties and will try to act cool toward boys who formed sandwich.”
LIFE and teenagers.
( Nina Leen—Time & Life Pictures/Getty Images)

life:

Take notes, ladies: “‘Sandwich Girl’ who puts herself in midst of crowd of boys is considered a real crumb. Girls will not invite her to hen parties and will try to act cool toward boys who formed sandwich.”

LIFE and teenagers.

( Nina Leen—Time & Life Pictures/Getty Images)

754 notes

#Photography

#Life

#Teenage

devidsketchbook:

Extraordinary photos of young hitchhikers and freight train hoppers by Mike Brodie

Mike Brodie (tumblr | facebook) first began photographing in 2004 when he was given a Polaroid camera. Working under the moniker, The Polaroid Kidd, Brodie spent the next four years circumambulating the U.S. amassing an archive of photographs that would go on to make up one of the few, true collections of American travel photography. Having never undergone any formal training, he chose to remained untethered to the pressures and expectations of the art market.

(via nebulust)

59,751 notes

#Mike Brodie

#Hitchkikers

#Photography


A diver has a very personal moment of dejection at the bottom of the pool during the 2012 CCCA Swimming and Diving State Championships at East Los Angeles College Swim Stadium on Thursday, April 26, 2012 in Monterey Park, CA. (Photo by Suzanne Tylander © 2012) This particular photo represents an emotional moment rarely caught underwater. This particular diver was expected to win the entire event. The diver knew as soon as he hit the water his form was flawed and that he might have just lost it all. I was fortunate enough to witness this moment as it was unfolding underwater. I captured the sequence of emotion just a split second after he hit the water and began to sink to the bottom with a sense of defeat written in his body language This was the image I chose from the series. I have felt this emotion and disappointment before as many athletes do. My chance to capture it underwater was rare but beautiful. It is a moment no competitive athlete wants to relive but something important that many of us can relate to. It is raw and human and real.

A diver has a very personal moment of dejection at the bottom of the pool during the 2012 CCCA Swimming and Diving State Championships at East Los Angeles College Swim Stadium on Thursday, April 26, 2012 in Monterey Park, CA. (Photo by Suzanne Tylander © 2012) This particular photo represents an emotional moment rarely caught underwater. This particular diver was expected to win the entire event. The diver knew as soon as he hit the water his form was flawed and that he might have just lost it all. I was fortunate enough to witness this moment as it was unfolding underwater. I captured the sequence of emotion just a split second after he hit the water and began to sink to the bottom with a sense of defeat written in his body language This was the image I chose from the series. I have felt this emotion and disappointment before as many athletes do. My chance to capture it underwater was rare but beautiful. It is a moment no competitive athlete wants to relive but something important that many of us can relate to. It is raw and human and real.

(via exceptionsforgone)

116,783 notes

#Photography

#Diving

burnedshoes:

© Gabriele Galimberti, 2010s, Toy Stories

Shot over a period of 18 months, Italian photographer Gabriele Galimberti’s project Toy Stories compiles photos of children from around the world with their prized possesions—their toys. Galimberti explores the universality of being a kid amidst the diversity of the countless corners of the world; saying, “at their age, they are pretty all much the same; they just want to play.”

But it’s how they play that seemed to differ from country to country. Galimberti found that children in richer countries were more possessive with their toys and that it took time before they allowed him to play with them (which is what he would do pre-shoot before arranging the toys), whereas in poorer countries he found it much easier to quickly interact, even if there were just two or three toys between them.

There were similarites too, especially in the functional and protective powers the toys represented for their proud owners. Across borders, the toys were reflective of the world each child was born into—economic status and daily life affecting the types of toys children found interest in. Toy Stories doesn’t just appeal in its cheerful demeanor, but it really becomes quite the anthropological study. (via FeatureShoot)

(via tooloose-lautrec)

211 notes

#Toy Story

#Gabriele Galimberti

#photography

natgeofound:

Teenagers run and play on large white sand dunes in New Mexico, 1957.Photograph by J. Baylor Roberts, National Geographic

natgeofound:

Teenagers run and play on large white sand dunes in New Mexico, 1957.
Photograph by J. Baylor Roberts, National Geographic

1,172 notes

#New Mexico

#1957

#Teenagers

#Photography

#National Geographic

usnatarchives:

Happy Facial Hair Friday! This self portrait, with carefully groomed mustache in the center, is a glamorous photo of a hardworking, groundbreaking photographer.
James Stephen “Steve” Wright was from a working-class family in Washington, DC. By the 1940s he was head of photographic operations for the Federal Works Agency.
In an interview with Nicholas Natason, Wright recalled that “In those days, it was tough for a black man even to become a file clerk in the government … You had to mind your P’s and Q’s, because there were lower-level whites who resented the fact that you were doing photography at all and were waiting for you to stumble.”
But Wright was extremely good at his job; he was efficient, diplomatic and organized. In 1957, Wright was appointed as Photographic Branch Chief at the Department of State. He created State’s first central file on diplomatic personalities, events, and facilities.
Read the full story of Wright’s Federal career over on the Pieces of History blog.
Image: Steve Wright during his Federal Works Agency days. National Archives (208-NP-IY-1).

usnatarchives:

Happy Facial Hair Friday! This self portrait, with carefully groomed mustache in the center, is a glamorous photo of a hardworking, groundbreaking photographer.

James Stephen “Steve” Wright was from a working-class family in Washington, DC. By the 1940s he was head of photographic operations for the Federal Works Agency.

In an interview with Nicholas Natason, Wright recalled that “In those days, it was tough for a black man even to become a file clerk in the government … You had to mind your P’s and Q’s, because there were lower-level whites who resented the fact that you were doing photography at all and were waiting for you to stumble.”

But Wright was extremely good at his job; he was efficient, diplomatic and organized. In 1957, Wright was appointed as Photographic Branch Chief at the Department of State. He created State’s first central file on diplomatic personalities, events, and facilities.

Read the full story of Wright’s Federal career over on the Pieces of History blog.

Image: Steve Wright during his Federal Works Agency days. National Archives (208-NP-IY-1).

(via todaysdocument)

114 notes

#photography

#history

letselopetoday:

‘The World’s ugliest city’ (Charleroi) by dutch photographer Wouter Schuddebeurs.
(via Walletshaker :: Charleroi)

letselopetoday:

‘The World’s ugliest city’ (Charleroi) by dutch photographer Wouter Schuddebeurs.

(via Walletshaker :: Charleroi)

(via fantasy-affair)

3,610 notes

#Charleroi

#Photography

hesitaint:

The rare beauty found within Google street view | Aaron Hobson

(via sevenseassailed)

14,123 notes

#Google Street View

#photography

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